Roanoke Times Copyright (c) 1995, Landmark Communications, Inc. DATE: SATURDAY, August 14, 1993 TAG: 9308140279 SECTION: SPECTATOR PAGE: S-2 EDITION: METRO SOURCE: N.F. MENDOZA LOS ANGELES TIMES DATELINE: LENGTH: Medium
That's probably an apt change of address for Babar, who is a family man at heart.
"Maintaining an emphasis on the family is a major thing for our stories," says executive producer Michael Hirsh, noting that the books shared the same spirit. "The recurring theme is about growing up in a family and what it's like."
Hirsh points out that very few animated characters have a family. In fact, he adds, there are few grown-ups in cartoons who are portrayed in a realistic, loving fashion. "Babar is regal and never silly," he says.
The animated "Babar" stories have incorporated the original tales and newer contemporary stories. Topical concerns the show has tackled: environmental issues, conflict resolution and prejudice.
"The stories are appealing, from babes to grandparents who remember having the stories read to them when they were kids," Hirsh notes.
The Babar tales originated with de Brunhoff's wife Cecile, who, in 1931, began to use Babar tales to lull her boys, Laurent and Mathieu, to sleep. Author-illustrator Laurent de Brunhoff carried on after his father died in 1937, when Laurent was 10, by filling in some color on the two books in progress when Jean died. As an adult, he then began working on his own Babar stories.
While the Babar books told the chronological story of a little elephant who witnessed the brutal loss of his mother in the great forest, ran away to the city and grew up to be a much-loved king, the television series uses the device of Babar's children triggering the king's memory. Another story is then told in flashback, featuring Babar as a youth.
by CNB